Here is a list of best free recording mixer software for Windows. Through these recording mixer software, you can record and then mix the recorded voice or sound into one audio. To record sound, each of these support microphone device. You can also mix external sound and even add various sound effects to the recorded music. The voice is an instrument, and this software treats it as such. When you're ready to get serious about your recordings, investing in vocal software is the obvious decision. Depending on your specific needs, you'll be able to give your sound a professional edge that will get you noticed time and time again.
- Best Vocal Recording Software
- Best Vocal Recording Software Free
- Best Vocal Recording Software For Beginners
- Best Vocal Recording Software For Windows 7
- Best Vocal Recording Software For Pc
- 12 Best Software to Record Audio. Most of the below-listed items are free recording software so that you don’t have to worry about the money. However, it may include some paid applications as well because the quality of the service is also a factor that we considered during the sorting process.
- In addition to recording live audio, such as podcasts or interviews, you can also use Audacity to edit existing sound files and even speed up or slow down a recording if the timing is off. Anchor; Anchor is one of the best free voice recording software options for the budding podcaster. You can use the Anchor app to record, upload, and edit.
- The best voice recording software apps are the ones that recognize and capture a quality audio stream, for a reasonable price. We also worked with several apps' built-in filters and special effects to determine their full editing capabilities.
Vocals…it’s the one thing we all record.
Best Vocal Recording Software
And it’s the one thing all listeners hear.
Therefore…it demands our best work.
But with all the knowledge, gadgets, and techniques it requires…
It can feel overwhelming for beginners especially early on.
The good news is, with a just few simple tips…
Virtually anyone can SIGNIFICANTLY improve their sound in almost no time at all.
So in today’s post, I’ll share with you the best tips I know.
Starting with…
Finding the Right Microphone
These days, good vocal mics can be bought CHEAP…
For only a few hundred dollars, which is well within reach of average home studios, you’ll have your pick among dozens of great options.
To find out which ones I recommend, check out this article:
Moving on…
The 5 Issues That Ruin Vocals
In many ways, a good vocal sound comes LESS from employing fancy techniques, and MORE from avoiding common problems.
Specifically, these 5:
- Popping
- Sibilance
- Proximity Effect
- Foot Noise
- Poor Room Acoustics
Now let’s explore each one further…
1. Popping
One strange thing about the human voice is…
When pronouncing “P” and “B” sounds, a strong blast of air is expelled from the mouth.
In normal speech you don’t even notice it.
But on recordings, these air blasts strike the diaphragm of the mic…
Creating a punchy low frequency sound known as Popping.
To understand it better, try this exercise:
Place your hand in front of your face as you say these two sentences:
Peter Piper picked a peck of pickled peppers.
Better businesses build big boxes.
Feel the air hitting your hand? That’s popping.
To avoid it, the easiest way is to sing into the mic at a slightly off-axis angle, so the blasts don’t strike the diaphragm directly.
However…since many singers can’t or won’t do it, engineers often use pop filters instead.
Here’s how they work:
- By creating a barrier between the singer and the mic, pop filters act like a net to catch “plosives“, while allowing other sounds to pass freely.
- The barrier also acts as a distance marker, preventing singers from moving in too close, as they often will.
To see which pop filters I recommend, check out this article:
Up next…
2. Sibilance
The OTHER strange thing about the human voice is…
When pronouncing “S” and “F” sounds, the mouth emits a high frequency blast of air, commonly known as sibilance.
You don’t notice it in daily conversation…
But on recordings, when your mouth is right up against the mic, it often sounds painfully obvious.
Let’s do another demonstration:
Using a condenser mic (which is more prone to sibilance), record yourself saying this line:
She sells sea shells by the sea shore.
Now listen back and pay close attention to the “S” sounds. Hear that annoying hiss? That’s sibilance.
To fix this problem, you COULD just mask it with software tools like de-essers and multi-band compressors…
But the smarter strategy is to avoid recording it in the first place. Just like with popping, singing at an off-axis angle can USUALLY fix the problem.
If not though, here’s something else you can try:
The Pencil Trick.
Grab a pencil, and secure it directly over the diaphragm of your mic with a rubber band, as shown in this picture.
Now…those high frequency blasts will be split in half by the pencil, and diverted off to the side. Problem solved.
Moving on…
3. Proximity Effect
Due to the design of the cardioid mics…
Which is the standard polar pattern used on vocals…
Whenever a sound source is located within a few inches of the diaphragm…
The microphone exhibits a noticeable low-end boost in its frequency response.
The closer the sound, the stronger the effect.
With certain instruments such as acoustic guitar, this can serve as a useful tool in adding warmth.
On vocals however, when inexperienced singers use it unintentionally…
It can be extremely annoying to hear that low end boost appear and disappear at random.
If your singer is having this problem, here’s how you fix it:
- Use a pop filter – to prevent the singer from getting too close to the mic.
- Use omnidirectional mics – which are immune to proximity effect because of their design.
Up next…
4. Poor Room Acoustics
You could do EVERYTHING ELSE perfectly…
But the fact is…
If the acoustics in your room suck, so will your vocals.
And without proper acoustic treatment, you can pretty much guarantee that your studio’s acoustics WILL suck.
So if you don’t have any yet, make it your top priority. Here’s an article to help you get started:
If you don’t have the money or space to do it the traditional way…
Reflection filterscan be a good cheap alternative for anyone in search of a shortcut. They may not work as well as “real” acoustic treatment…but they’re a thousand times better than nothing at all.
To see which ones I recommend, check out this article:
Up next…
5. Foot Noise
With certain flooring…
Every single footstep can be heard loud and clear throughout the entire house.
When singers tap their feet, those vibrations travel up your mic stand, and onto the recording.
The common solution to this problem is to add a shockmount, which works bycreating acoustic isolation between the mic and the stand.
To find out if YOU need one, here’s what you do:
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- Setup your mic as you normally would, record enable the track, and crank up the gain.
- Put on your headphones, walk around the mic stand, and listen.
If you hear your footsteps or any other floor noise, you could probably benefit from a shockmount.
While many vocal mics come with one included, if yours doesn’t, here’s what you do:
Because most shockmounts are designed to work only with a specific mic, you need to find the right match.
![Best vocal recording software for pc 2020 Best vocal recording software for pc 2020](https://cdn2.expertreviews.co.uk/sites/expertreviews/files/images/dir_289/er_photo_144805.jpg)
Try Googling something like “shockmounts compatible with your mic” and if one exists, you’ll know. If not, you might want to try using a different mic altogether.
Moving on…
Microphone Technique
As a home studio “engineer,” you can do everything right to set your singer up for success…
Yet the final product is STILL mostly in their hands.
And other than their actual singing ability, the other HUGE factor that determines the outcome is their microphone technique.
Singers with little experience behind a mic make nervous, fidgety head movements at random, which can ruin the recording of an otherwise great performance.
Skilled singers on the other hand, make deliberate, purposeful head movements that SIGNIFICANTLY improve the overall sound.
For instance, here are 4 common techniques they’ll use:
1. Controlling Volume with Distance
By moving closer to the mic as they get softer, and further as they get louder…
They level out their own volume fluctuations, dramatically reducing the amount of compression required later on.
2. Avoiding Popping and Sibilance
By adjusting their angle and distance from the mic, they can virtually eliminate any traces of popping or sibilance.
And they can do it without even using a pop filter.
3. Purposeful Use of Proximity Effect
By moving in closer to the mic during softer, more delicate passages, they can add a beautiful sense of intimacy to their tone.
4. Controlling Breath Sounds
By turning their head to the side with each breath, they avoid those awkward breath sounds that must be later edited out.
And the really good ones know when to intentionally breathe INTO the microphone for effect.
Up next, let’s talk about how to help your singers acquire these skills if they don’t already have them…
Improving Mic Technique
The truth is…few singers you work with will have really good mic technique.
But rather than trying to fix everything with editing…why not give them a few pointers to help them fix it themselves?
You see, unlike pro studios…
The great thing about home recording is…the people you record are typically your friends, and you guys have all the time in the world to get things right.
So after you explain to them the 4 techniques I just showed you…let ’em practice. And assuming they’re decent musicians, they’ll eventually figure it out.
Up next…what to do if they AREN’T good singers…
Coaching Poor Singers
If a singer is bad, and doesn’t know that he’s bad, it’s because he can’t hear WHY he’s bad.
So it’s unlikely that any amount of coaching on your part will help much in the near future.
In this case, your best course of action might just be to stay positive and make him feel confident.
Never ask more from someone than you believe they are capable of. Having unrealistic expectations only discourages people, making them sound even worse.
While it may not be the best thing for him in the long run…to extract the best possible performance on a given day, it’s MUCH better to have your singer feeling confident, than NOT.
And that brings us to the final topic of this article…
Using Effects While Recording
While SOME folks hold off on effects until AFTER the recording part is done…
OTHERS like to add them in BEFORE-HAND.
Here’s why:
Many singers believe that adding a little reverb helps them stay on pitch.
In reality though, most of them just like it because it makes them sound better.
Which is good, because as we covered earlier…a confident singer always sounds better than an insecure one.
The downside is…
By adding reverb, (or any effect for that matter), singers can be fooled into believing their performance is stronger than it really is.
![Best Vocal Recording Software Best Vocal Recording Software](https://images-na.ssl-images-amazon.com/images/I/51uEXdsSswL.jpg)
And every effect you add increases the chance they’ll miss a problem which they might have otherwise heard and corrected themselves.
For example:
- By adding a de-esser, it’s harder to hear and avoid sibilance.
- By adding a high-pass filter, its harder to hear popping.
- By adding a compressor, it’s harder to hear level changes.
- By adding in auto-tune, it’s harder to hear when you’re off-key.
Therefore, good singers…who have the ability to hear these problems and adjust accordingly, might be best off having minimal effects while tracking.
With less-skilled singers, who won’t hear these problems anyway…
You might find the opposite approach to be a bit more effective.
“What is the best DAW to record vocals?”
A DAW or “Digital Audio Workstation” is any digital software or device that allows you to record, edit and compose audio tracks.
Rewind 20 years, and it was almost absurd to imagine creating an album without hiring a studio and a record producer.
Nowadays, anyone with merely a laptop and a cracked version of FL Studio could technically create a chart-topping album without ever leaving their bedroom. The rapid advancement of music technology and production mechanics has revolutionised the way music can be created, and it isn’t slowing down any time soon.
When choosing a DAW, you might be looking to focus your production around recording vocals. Or you just want a DAW that is fast and effective when it comes to getting those vocals down.
Below we will look at the best DAW to record vocals, in any genre.
The best DAW to record vocals
Best Vocal Recording Software For Beginners
Sound Quality
Firstly, it’s important to note the DAW that you choose has absolutely no effect on the quality of a recording.
If you have a decent audio interface, and a good mic setup, the quality of your vocal recording will be virtually identical across any DAW. When recording audio into a DAW, you have unmodified input as the starting point.
When it comes to choosing the best DAW to record vocals, it may come down to the efficiency and design of the DAWs interface.
DAW Interface / Design
Our top pick: Pro Tools
When it comes to the best designed interface for recording vocals, Pro Tools definitely stands out.
I have used most major DAWs extensively, including FL Studio, Ableton, Pro Tools, Logic, Reaper, the list goes on…
None of these DAWs have the speed and fluidity of Pro Tools when it comes to recording vocals.
It also has an extremely nifty comping feature so you can record continuously into different “takes” and then easily choose your favourite take from a simple drop down menu.
Some other DAWs have this comping feature, but none are as intuitive and easy to use as Pro Tools.
How do other DAWs compare?
FL Studio: FL Studio was first DAW I ever used, and is probably still my main DAW. However, I’ve always found the recording process a little more complicated than it needs to be.
In the early days of FL Studio, audio recording wasn’t even an option.
Since then Image Line have massively improved the audio recording functionality of FL Studio, but in my opinion it still has a long way to go.
Once you get a hang of the recording process (whether you record directly onto the playlist, or into the audio recording plugin: Edison), it is reasonably efficient to record and edit vocals. But it takes a little getting used to.
Ableton: Ableton is great for recording vocals, but is definitely still better suited to the production and editing side, rather than recording.
In Ableton, you can record vocals in either the arrangement and session view. Also, recording into more than one track at once is extremely simple. Ableton has a great I/O system allowing for simultaneous recording from multiple inputs at once.
Logic Pro X: Logic is also exceptional when it comes to recording vocals. It has a fairly similar design to Pro Tools, and is also a great pick for when it comes to producing professional sounding vocals.
The best DAW overall?
The argument of which DAW is the “best” is a heated one.
But ultimately, there is no definitive answer.
Each DAW has it’s own individual strengths and weaknesses, and is better suited to different types of production or composition.
For example, the best DAW for beatmaking is probably FL Studio or Ableton.
These DAWs are generally speaking better designed for electronic, hip hop, or any loop-based styles of production.
On the other hand, for composition and scoring, DAWs such as Logic or Cubase are probably better suited.
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Depending on the genre of music you’re looking to produce, vocal recording may either be an occasional process, or the backbone of your music production. Producing genres such as rock or hip hop will rely on being able to quickly and effectively record high quality vocals. Whereas genres such as house sometimes rely solely on VST instruments and MIDI sequences.
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Every DAW can record fantastic sounding vocals. It all comes down to which one you feel the most comfortable with, and which you naturally gravitate towards.